Saturday, January 22, 2011

Simplicity

Confession: I often overcomplicate things.


The thing I need to learn is that simpler really is better. (P.S. I had to rewrite that sentence three times. The first thing I said was that I needed to more fully integrate the maxim: the simpler, the better. Yikes.)


I admit wholeheartedly that my fear is simple equals stupid. When the actual deal is, if you try too hard, sometimes that’s when you look stupid. I think Stephen King said it best: “One of the really bad things you can do to your writing is to dress up the vocabulary, looking for long words because you’re maybe a little bit ashamed of your short ones. This is like dressing up a household pet in evening clothes. The pet is embarrassed and the person who committed this act of premeditated cuteness should be even more embarrassed.”


This is also relevant for larger scale things, like plot. Sometimes, when I write an outline, I think it sounds way too cheesy. Yet, when it comes to outlines, cheesy is good. An example of this is when I went recently to watch Tangled in the theaters. ****Spoiler alert: Skip to next paragraph if you haven’t seen Tangled yet and don’t want me to mess it up for you****** At the end, when all seems hopeless and she begins to cry, my first thought was that the magic would be in her tears. My next thought was, no, that would be stupid. Then, when it actually happened, I was very excited. It worked! How did it work? Just a second ago I thought it would be stupid. It was a message to me. What at first may seem cheesy in theory can be made to work well. The simpler the better.


The irony: It’s actually harder to boil down the complex into something simple than to take something simple and make it more complex. Have you ever tried writing a one-line summary of your entire novel? If you haven’t already, try to do so now. Do it in 15 words or less. And make it sound compelling. And really try to get across the main plot point of your book. If you could do it easily, you’re probably a simplicity genius and you don’t need this blog.


My favorite quotes on simplicity, because I love quotes!


“Simplicity is the ultimate sophistication.” Leonardo da Vinci


“Everything should be made as simple as possible, but not simpler.” Albert Einstein


Saturday, January 8, 2011

Persistence is Key

Confession: Sometimes reading books about how to write makes me feel like I am strapped to an iron chair in a locked closet that is full of darkness and spiders, with nothing to eat but dust. And those spiders, I guess.


What I'm trying, but not really succeeding, to say is: too much help is sometimes no help at all.


Since I often turn to writing books the way a person who is making dinner might turn to a cookbook, I often fail to use inspiration. As with anything, there is a balance. Writing books can be helpful, but applied too rigidly, will hurt you.


Probably the best advice I’ve received from the array of writing books I’ve read over the years is some form of “just keep writing”. There is also “You have to be persistent”, or even “butt in chair time”. A close companion to this that I hear less often is, “believe in yourself”. I went to a writer’s conference once where James Dashner was asked how he did it and he kind of shrugged, feeling a little silly perhaps, and said, “I don’t know how I do it, I just go by instinct.” This is the answer that really helps us open the door, after all is said and done. This is what calls to inspiration, even if inspiration only graces us with her presence occasionally. Though she might not come every time we open the door, we have to open the door so that when she does come, we will be ready.


And inspiration likes doors that are open wide.


Shakti Gawain said, “We will discover the nature of our own particular genius when we stop trying to conform to our own or other peoples’ models, learn to be ourselves, and allow our natural channel to open.” Real help is anything that encourages you to be creative, even and especially if that creativity requires you to break rules.


We all have an inner compass. We must learn to trust it. Writing is an act of faith, and when you act in faith, you set things in motion. Don’t fall into the temptation to overthink it. Easy really does do it, eventually—if you are persistent.


“We learn to do something by doing it. There is no other way.” John Holt

Saturday, December 11, 2010

Voice

Confession: I am struggling to find my voice. What is this elusive thing called voice, anyway? Shouldn’t it automatically come out when we write—or is it wholly evident to others when we feel the least bit self-conscious?


I had an experience when I was in middle-school drama that seems to confirm this. I hated the class. I got sick when in front of a group of people that were all looking at me. Waiting for me to perform. However, one day I was feeling a little bold. I decided I didn’t care. I was pretending to be a stick of gum, after all, and there was no dignity in that. So I just let go—and I couldn’t believe the response. It was all I could do to stay in character with everyone nearly falling out of their seats as they were.


Is that how you find your voice? I think a huge part of it is being unafraid. So, why is it so hard to overcome the need to protect our weaknesses, hide them from the world? As artists, we almost have to put our weaknesses on display, and smile like we just don’t care. Also, we have to speak our hearts without fear. We have to put our deepest emotions out while overcoming the vulnerable feeling it brings. I always have dreams that I’m showering, only to look around and suddenly realize the shower’s one of the displays at Home Depot. I wonder if this has anything to do with that?


Ever since I was little, I have always wanted to hide my emotion. I struggle so much to overcome that. What about you? What have you done to find your “voice”?


“Inspiration may be a from of superconsciousness, or perhaps of subconsciousness—I wouldn’t know. But I am sure it is the antithesis of self-consciousness.” Aaron Copland

Saturday, December 4, 2010

Someone Else's Story

Have you ever wanted to write someone else’s story? In the beginning, it was books like Harry Potter that made me want to write. The problem was, when I sat down with pen in hand, planning to whip out my own magical tale, the only thing that came to mind was Harry Potter. Once, in desperation, I prayed, “I can never be like J.K Rowling!” It was one of those rare times that the answer came immediately: “You don’t have to be her; you are you.” What surprised me was that these words came to mind as if the idea was something good, something to be pleased with. It took me off-guard a little. That’s when I discovered if I could truly figure out how to be me (and this applies to any of us), our works can be amazing in their own right (see The Power to Dazzle).


Spencer W. Kimball said, “What God-given roles each of us could play in this great divine drama! What satisfying personal lives we can live!” I feel both hope and distress in that comment. I mean, why are we not given a set of instructions at birth? Even a fortune cookie would do. I want specifics! I don’t want to die and be like, dang, I just wasted my whole life. It can’t be that hard to find out who we are, can it? But yes, it can, if we are always looking to be like someone we admire instead of who we are.


Dale Carnegie said, “You are something new in this world. Be glad of it. Make the most of what nature gave you. In the last analysis, all art is autobiographical. You can sing only what you are. You can paint only what you are. You must be what your own experiences, your environment, and your heredity have made you. For better or for worse, you must cultivate your own little garden. For better or for worse, you must play your own little instrument in the orchestra of life.”


You can’t try to be successful, you can only try to be a better you. You can do nothing but make yourself better than you were. You must allow a period of trial and error, of experimentation. And how can anyone do that with all the pressure of trying to be good?


“Man is asked to make of himself [only] what he is supposed to become to fulfill his destiny.” (Paul Tillich)

Saturday, November 20, 2010

Things I Love

“A mind too active is no mind at all.” Theodore Roethke


In my life I have often found the necessity to disengage. There were times I was driven by a force that wasn’t healthy. Maybe even fear. My goal: to make decisions not out of fear, but from a sound and comfortable mind. How can you enjoy life any other way? I made a list of 20 things that I love, in no particular order.


1-Read or listen to a really good book

2-Watch a movie at home with my family

3-Go out with my husband and no one else

4-Sit at home on a Saturday afternoon with nothing scheduled

5-Write a story about whatever I want—however weird and silly I want it to be

6-Imagine scary things

7-Go out with friends

8-!!!Disneyland!!! with my family—particularly Pirates of the Caribbean

9-Driving in the rain

10-Driving at night, especially if it’s raining

11-Cooking a new meal, having all afternoon to do it

12-Go somewhere I can relax and explore by myself

13-Look at the moon and imagine scary things

14-Look at the lake at night; imagine scary things living in it (is there a recurring theme here?)

15-Dance with my kids (it’s been way too long)

16-Play summer games outside at night with family, like croquet and badminton

17-Browse the library or bookstore. Browse people here too

18-Go out on family dates, zoo, movies, etc.

19-Read with my kids. We especially like “Goosebumps”. They like to get blankets and pillows and snuggle under them while I read as scarily as possible

20-Take a long, unhurried shower

Saturday, November 13, 2010

The Power to Dazzle

I saw a dance once that changed my perspective.


Old perspective: I used to think that some people could be successful and some people could not. Perhaps, even, some people were simply more important than others. Who knew why? I mean, maybe it was a matter of luck. Maybe there were golden balls thrown into God’s bingo roller. Maybe some were just “special”—chosen ones, so to speak. As for everyone else, if you don’t have the “chosen” gene—sorry, you’re out of luck.


It’s true—it was a dance that showed me these thoughts were wrong.


There was nothing special about the televised dance, other than the fact I was struck with the impression that everyone seemed to be completely in their element. It was as if no one was pretending. No one was trying to be someone else; and even better, no one was feeling self-conscious. Everyone's inner light shone through without restraint. I was mesmerized. And the thought struck me: Are we, as a human race, magnetically drawn to those who are, perhaps, closest to self-actualization?


I realized we all have an inner light. We don’t have to force it into existence—if anything, the opposite is true. We should relax and stop blocking it. So what I realized was this: the power we all have to be special, chosen, successful, lucky, etc. is in our ability to learn how to unblock ourselves. We all have the potential to spell-bind another. It’s in there; you find it through a process of hard work and discovery. Like you find a buried treasure. We go through a process of searching, giving, sometimes being rejected, and trying again. The latter requires believing in ourselves to no small degree—which can be hard in the face of rejection.


I always loved the children’s story You Are Special, the one with the stars and dots. I believe we are all God’s children. He’s the one who can let us know who we are. Since He created us, we are all sublime. He is filled with all power and all things right, all things with force. I get excited when I think about the power we can tap into.


It’s not a race, I realized after watching that dance. It’s not even a contest. If we could all simply be our true selves, it would take competition out of the equation—because we all have the power to dazzle.

Saturday, November 6, 2010

Object Lessons on Writing, and Follow Your Instinct

Object lesson #1: Writing is not like following a recipe. When I follow a recipe, reviewing instruction and measuring is a good thing. And I never substitute ingredients. It saves me from making something that would cause my family to raise their eyebrows yet again and ask if I have tried another experiment at their expense.


Really, it’s too bad you can’t just follow a recipe for writing. Heaven knows, I want to. I’ve searched dozens of books on writing looking for them. The problem is, I’m a follower. I’ve never been one to trust myself. Back in high school, when I worked out a problem, even if I was sure I was right, I often changed it if someone else disagreed. And it was more often than not a mistake. The message has always been there, it seems. Trust your instincts.


Using the recipe analogy, I find another thing to be true. The way you assemble the ingredients is not nearly as important as the ingredients. When self-editing, I often focused too much of my revision on the cutting and dicing, so to speak, rather than the ingredients themselves. Yet, if the ingredients are good, and fresh, and you enjoy that particular combination, the way you cut and dice is secondary. In other words, I wasted SO much time in perfecting form rather than really looking at what I was working with. Ironically, the latter takes far less time and effort. The work of perfectionism is set aside for the time being to make room for play.


Object lesson #2: Writing is a lot like golf. I saw an article about putting entitled, “How to See the Line”. I knew instinctively that if I read that, I would putt worse than ever. I’ve never been a measurer of spatial things. If I try to measure, for instance, to put pictures on my wall, things go horribly wrong. Similarly, while golfing, if people tell me to stand a certain way, to look a certain direction, blah blah blah, I freeze up. So I’ve learned to listen to the inner voice that tells me “that feels right.” I tried it one time, while miniature golfing, just hitting what felt right. Sometimes I felt better about hitting the ball slightly to the right or the left of the hole, even though I couldn’t see a break. When I followed that little voice and did it, I was surprised more often that not to see it turn and go into the hole. Instinct, I tell you. I think it’s a force we can all tap into. And, can I brag, just a little? Out of 18 holes, 6 were holes-in-one.